![]() ![]() They may prefer DNxHD to ProRes or want you to prep your timeline a little differently. If you're working with a colorist who will be doing this finishing for you, talk to them about what works best for them. These workflows also assume you're planning to do your own color grading in DaVinci Resolve. The XML Workflow will likely be a bit faster and more accurate otherwise, since you won't have to identify where your cuts are as with the ProRes Workflow and you'll also be working off of your original files instead of an export from Premiere. If you are doing your color grading on a separate computer from where you did your edit, the ProRes Workflow is a little bit easier, as you're just dealing with a single file you need to move instead of all of your project files, which would be the case with the XML Workflow. Why choose one of our options over another? Like many situations in post production the answer of which workflow to use often comes down to personal preference, but there can be other reasons as well. Always use the method that works best for you and the project you're working on rather than trying to force your project into a workflow that doesn't make sense for you. You can find a similar workflow to this XML Workflow on the Frame.io blog. As with many things in content creation, there is not just one way to get from point A to point B. Save it to an appropriate folder on your drive so you can find it to bring it into DaVinci. Go to File > Export > Media and in the Export Settings choose Format Quicktime and Preset Apple ProRes 4444. ![]() After you finish preparing your sequence export the sequence as a ProRes 4444 file.You'll then export the sequence from DaVinci as a single file and import it into your Premiere project to finish. The ProRes Workflow involves exporting a single file from your "Color Export Sequence" and bringing that file into DaVinci to color grade it. If you choose the ProRes Workflow you'll probably want to leave them, if you choose the XML Workflow, you should remove them as it's possible they won't transfer back. You might also want to remove transitions from your clips, but that depends on which of the next two processes you choose for moving your project to Resolve. ![]()
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